Rusty Ol’ Twinklebox
August 17, 2010 7:06 pm
Some texture work on the music box cylinder as a screengrab: (click to enlarge)
This is how the rusty old fella is looking:
Twinklebox Textures
August 14, 2010 3:06 pm
A work in progress selection of screengrabs:
(Click on the images for higher resolution images)
Finding Resonance
August 2, 2010 11:03 pm
With Biff at his Darley Mills studio trying to find a resonating object to attach the music box to.
Biff has finished the melody and punched it into a strip of card ready for playing.
When playing the music box, the sound you achieve is dependant on the surface that you place it on. If you don’t attach it to anything it’s extremely quiet, whereas if you place it on a large table it becomes very loud. The quality of sound also changes depending on the material the object is made from and the space in which you play it. So we’re experimenting with some different objects to see what kinds of sounds we can achieve and what will be suitable for the requirements of the film.
Here are a couple of examples:
Music Box on Blackboard recorded by aaronbradbury and performed by Emphemetry
Music Box on Metal Bucket with Mic Inside recorded by aaronbradbury and performed by Emphemetry
Music Box inside Piano recorded by aaronbradbury and performed by Emphemetry
Cogs Cogs Cogs
July 15, 2010 7:37 pm
Started modeling the clockwork innards of Twinklebox.
This is the visual reference sheet of cogs and clockwork parts that I’m working from.
Whiskey Workshop
July 10, 2010 6:41 pm
With a tightly packed suitcase me and Biff head to the Pixel-Lab HQ in Darley Abbey where Biffs recording studio is located. A longer than brief stop off in the Abbey to fuel our creative mind cogs, an informative taxi ride and several noticings later and we arrive at the Mill.
I’ve decided to use an early piano recording Biff did for the project and cut a simple introductory edit for Twinklebox. Biff explains that the piece was recorded at the wrong speed and that it’s in a different key to what he had originally wrote it and how this might complicate writing a complimentary part on the music box. He then discovers that the music box only has white notes, with no flats, and this might prove awkward to write with due to the original piano chords being in B flat. Nevertheless, we both like the original recording of the piano and Biffs decides that with a little musical magicery he can write something to work with it.
Biffs explanation:
For the melody to be in tune with the piano it has to be in B flat, but the music box only plays white notes, so in order to make it possible for the box to play it, I’ve transposed it up to E. Now the only problem is that the music box is pitched at concert A flat.
Anyway, we watched a couple of reference videos and worked out an appropriate tempo the tune must be to achieve a sense that the tune is in fact being played by the music box and not just part of an accompanying track. Due to Twinklebox’s music cylinder being his driving wheel, his speed of motion is directly linked to the tempo of his music. If the tempo is too slow he will literally look motionless, if he moves too fast the melody of his tune would be lost completely. There’s a certain amount of flexibility between these values before the connection between the music box and the music is lost.
Colours of Autumn
June 14, 2010 10:15 pm
I imagine this is what Autumn looks like in the world of Mr Toots.
Cassette Tape Boy
June 1, 2010 9:41 pm
Another study of a boy. I’m spending a little time letting the river run it’s course and doing some ground work for a future project. I’m not expecting to begin work on it properly for a few years so I’m just planting a few seeds to let it grow subconsciously.
Boy Portrait
May 30, 2010 4:51 pm
Click to see full size.
This was created using Adobe Photoshop with a few custom brushes. The picture of the boy was from one of my favourite magazines… The absurb and eclectic Permanent Food.
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Send me something funMy name is Aaron Bradbury. By night I'm a short filmmaker, a lover and a fighter. By day I'm a cg artist, tea drinker and enigma. You can find me here and there.
